This Floating Poo Was Way Too Symbolic! It's the TV Letdowns of the Year.

As we reflect on the television offerings of the recent year, a selection of series stand out not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with woeful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season started, it looked like it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was simply too symbolic. Still, viewers certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The subject of a very rare zero star review, it was difficult to know where to begin enumerating the flaws. The laughably wooden writing? The tedious glorification of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt borderline malicious? Let’s just say “each and every one” and never speak of this show again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charming but flippant narcissist.

The Supercomputer Drama

Of course we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other issues. Primarily that it was just really dull; a conflict over drug-selling territory between various London rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate provocations. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this three-part series chose not to say them. Rather, the viewing was like consuming a sales catalogue. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to emulate something way beyond it.

Too Much

How does one follow a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart inclusion of talented younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lumbering from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for explicit exploits as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Amy Giles
Amy Giles

A seasoned casino analyst with over a decade of experience in slot machine mechanics and gaming strategies, dedicated to helping players maximize their winnings.